![]() In typical Lynch fashion, Wild at Heart told a real-world story in a stylish, fictionalized way. Violence in America dominated the local news at the time, and Lynch was one of the first filmmakers in that time period to translate that onto the big screen, a trend that would be followed by many American filmmakers over the next few years. A rock n roll love story, Wild at Heart has been described by Lynch as a film about “finding love in hell”. The winner of the Palme d’Or at the 1990 Cannes Film Festival gives me all the feels. So after you check out my Top 5, let us know on social media or in the comment section here on the site what you’re Top 5 Lynch films are. A lot of people will disagree with me but I suppose that’s the fun of it. As far as the five films that didn’t make the cut, it wasn’t easy. So I compromised: I’m not going to rank Lynch’s films but rather tell you today my “Top 5” Lynch films, which are in no particular order and briefly describe what I love about that film. ![]() The idea of saying I liked Blue Velvet more than Mulholland Drivemade complete sense one day only to not feel right at all the following day. A few days later, I looked at the list and made corrections. My original plan was to actually rank the films and put together a list, ranked from 10 to 1. However, duty calls, and it’s my turn to take part in our “Favorites” series. Most of his work I’ve seen more times than I care to count and I continue to view those films. Each film has such different meaning to me and conveys so many different emotions that I’ve never really been comfortable identifying which films I prefer. ![]() How the hell am I going to identify any kind of ranking system for Lynch’s features? Lynch himself is my favorite filmmaker, which should come as no surprise to anyone. Ever since agreeing to do this, I’ve second guessed my decision.
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